Fire års utvikling for unikum

Vi begynner å bli godt vant til spesialbygde superbiler i små serier, for ikke å glemme helt unike one-off. Nye Ferrari P80/C er av sistnevnte kaliber, og klatrer høyt på særinglisten.

Hvorfor særinglisten? Vel, når vi leser at prosjektet ble påbegynt allerede i 2015 av en kunde som kommer fra en Ferrari-frelst familie i generasjoner, ble vår fokus skjerpet. 4 år for et spesialbygg er ikke snaut. Men når man begynner å lese videre på hva som var ønsket å oppnå, virker det noe mer begripelig. Ferrari ymter om at det er et av sine mest prestisjefulle på lange tider.

Kunden er selv kjent for eierskap av Ferrarier med en kresen nese. Hans innfall var å skape et unikum som skulle være inspirert av historiske 330 P3/P4 og Dino 206S fra 1966. Utgangspunktet skulle være basert på moderne teknologi, og valget falt på 488 GT3 fra racing. Den har en noe lenger akselavstand enn standard, og de 50 millimeterne ble regnet for nyttige i og med at man ville ha cockpiten lenger bak.

Nå ville man trodd at eierens innsats for å skape P80/C også ville innebære at den skulle brukes for nytelse på vei. Men neida, den er forbeholdt for bane. For å gjøre hele innsatsen enda mer forvirrende bestilte eieren to ulike oppsett for bilen. Når den kjøres på bane vil den rulle på riktig racingdimensjoner i 18 tommer, men når den skal «showmodus» kles den opp i 21 tommere for «å fremheve linjene». 

Det skal sies at det tar tid å lese gjennom den fulle spec´en med underfundige (kjærlighets)detaljer, det rettferdiggjør fire års byggetid en hel del.

Her er den:

Creating an entirely new and modern take on the Ferrari sports prototype concept is both an ambitious and complex undertaking. But it was in this spirit, and with very specific input from the client, that the new Ferrari one-off, the P80/C, was conceived. The Ferrari Styling Centre, under the direction of Flavio Manzoni, and the engineering and aerodynamics team worked hand-in-glove with the client, sharing principles and visions in order to create a new “Hero Car” with an absolutely unique and authentic soul.

The client, a great connoisseur of the Ferrari world, comes from a family of long-time Prancing Horse enthusiasts and admirers, and is himself a highly knowledgeable, discerning Ferrari collector. He was thus the perfect partner with whom to craft such a demanding project which required the highest level of interaction as well as emotional involvement.

The client’s basic brief was to create a modern sports prototype inspired by iconic models from Ferrari’s history: the 330 P3/P4 on the one hand and the 1966 Dino 206 S on the other.

The P80/C thus set the Ferrari Styling Centre an ambitious target: to develop a new kind of product that simply did not exist in the current Ferrari range: a sports prototype inspired by the cars that essentially wrote their own styling rules becoming, in the process, famous icons that, although conceived as track cars, also went on to influence a whole series of elegant road cars. A case in point is the very close relationship between, for instance, the Dino 206 S racing car and the production Dino 206/246 GT. Both versions share a common DNA despite having a different styling lexicon: Ferrari racing elements appear in the case of the former while the latter have the more sober, refined lines of the road cars.

The Ferrari Styling Centre’s goal was to create a resolutely modern car that made no major concessions to the past, apart from attempting to recreate the sensual shape of those iconic models through more muscular wings formed by the intersection of concave and convex surfaces.

Kicked off in 2015, the P80/C project had the longest development time of any Ferrari one-off made to date. This highly intense gestation period was the result of in-depth styling research and lengthy engineering development, with meticulous analysis of performance parameters as well as scrupulous aerodynamic testing, all with a different approach than taken by Ferrari with its one-off cars in the past.

Normally speaking, this kind of car tends to be a stylistic reinterpretation of models in the current range – a new concept or basic idea that marks a departure from the donor car is built on existing running gear. The glorious history of Italian coachbuilding is just that: a wealth of exceptional cars based on the same chassis, but bodied by different coachworks.

The P80/C, however, is radically different. It is a track car, which means that performance is a major factor so this not only pointed the design team in the direction of a design that was absolutely unique, but also forced them to make radical changes to the running gear of the donor car. This involved introducing specific features required to guarantee a captivating marriage of style, technical prowess and aerodynamics.

The decision was made to use the 488 GT3 chassis as a basis, not only for its performance, but also for its longer wheelbase (+ 50 mm compared to the 488 GTB) which allowed more creative freedom. With respect to the Ferrari 488’s classic layout in which the cockpit tends to be placed centrally, the GT chassis allowed the designers to emphasis a cab forward-effect in which the rear is elongated, lending the car a more aggressive, compact character. This was one of the cornerstones of the P80/C’s styling from the early stages of the design process.

A decisive wedge shape dominates the side view at the front of the car. The muscular forms of the front and rear wings with the cockpit set in between are emphasised by very broad buttresses that expand towards the side air intakes. This gives the impression that the cabin is completely fused with the body, and is accentuated still further by the wrap-around windscreen which references the iconic look of sports prototypes of the past. The flying buttresses converge towards the roof underlining the visor effect of the greenhouse. All of these features are references not only to the 330 P3/P4 but also homage to the Dino and the 250 LM berlinettas.

The side windows merge graphically with a wide pocket created by the side air intakes giving a dynamic downward movement to the rear flanks. This disruptive line balances the wedge-shaped front flanks and visually separates the rear section from the rest of the car.

Seen from above, it is clear that the bodywork is widest over the front axle, but then narrows sharply, creating a tightly sculpted waistline around the rear door before broadening out again dramatically at the tail. This particularly iconic kind of architecture is also emphasised by flying buttress-type C-pillars which are physically detached from the cabin. On the one hand, the C-pillars wraparound the intercooler air intakes, while on the other, they accentuate the sharp drop in height between the roof and the surfaces of the rear engine cover. Compared to a more normal continuation of the roofline over the engine cover, a more extreme solution was preferred, creating a large void rear of the cockpit with a vertical rear screen.

Aerodynamic development was based on the experience gained with the 488 GT3, but was not governed by the restrictions imposed by international regulations. Thus the front splitter is specific and, while the expansion curve and vortex generators of the rear diffuser are the same as those used on the GT3, the external surfaces are all unique to the P80/C. The result is an improvement of around 5% in overall efficiency, required to make full use of the unrestricted engine.

The objective was to balance the upper bodywork’s downforce evenly over the two axles, making full use of the 488 GT3’s underbody. The configuration of the rear bodywork required the adoption of an aerodynamic profile that sits immediately rear of the trailing edge of the roof to provide a strong recompression of the flow rearwards, reinforcing the downforce generated by the tail and the wing. This aerodynamic profile was inspired by the T-wing adopted in Formula 1 in 2017 and here is designed to reduce the length of the flow over the rear, creating the effect of a very short ‘virtual’ rear windscreen and an extremely limited separation bubble.

The front of the car has a catamaran-style formal geometry. The jutting effect of the nose is underscored by its almost wing-like shape which the interplay of voids highlights very effectively. The large radiator air vents are located just behind this wing-like structure and these outlets over the front bonnet underline the powerfully muscular wings.

The fact that the P80/C is homologated only for track use meant that it could do without components that would be deemed vital in a road car, and which would also heavily influence its styling. Classic head lights have essentially disappeared. Or rather they have been reduced to mere slits set into niches at the front of the car reminiscent of the air intake housings in the grille of the 330 P3/P4. Unlike the 330, however, in the P80/C, said housings are not set into an oval grille but look more like two pockets carved out of the front of the car.

The same styling element reappears at the rear of the car. The rear spoiler is very wide to meet aerodynamic requirements and incorporates the two signature tail lights in a way that makes them look like air vents, thus perfectly reflecting the design of the front.

Even the rear fascia, which leaves the running gear fully visible, has a catamaran-type architecture. This allowed the inside to be completed devoid of bodywork. In fact, its sole occupant is a grille to help evacuate heat from the engine bay. The space left is occupied by a huge rear diffuser which seems almost to be separate from the rest of the car.

The adoption of a concave rear windscreen and aluminium louvres on the engine cover, a reference to the 330 P3/P4, gives the P80/C’s tail an instantly recognisable and unique look.

At the client’s request, the car was designed with a dual soul: a racing set-up, which includes quite a showy carbon-fibre wing and 18” single-nut wheels, and an exhibition package complete with 21” wheels but devoid of aerodynamic appendages, to highlight the purity of its forms.

The P80/C’s design language was crafted to be instantly clear. Although made entirely from carbon-fibre, only the parts with strictly technical functions have been left bare, while the main car body has been painted a bright statement Rosso Vero. The name was chosen by the client, proving that his loyalty to Ferrari’s sports prototype tradition extends all the way to colour.

The interior is very much the same as that of the donor car with a roll cage integrated into the bodywork. The side sections of the dashboard have been redesigned from the version seen on the 488 GT3, as have the seat upholstery and door panels – the latter are now carbon-fibre shells and no have no impact on the car’s weight.